Complex Wan2.2 prompt

expand this into a very long and very complex and very detail prompt for Wan2.2 t2i : a black and white cat is standing from a balcony triumphantly above a sea of roach people who are all wearing the same identical uniform with the blue city camo - The entire image is an encaustic painting done in the style of german expressionism in a hyper realistic painting

Here is an expanded and deeply detailed WAN2.2 T2I (text-to-image) prompt based on your concept, emphasizing complexity, symbolism, texture, lighting, and narrative composition — crafted for **a very long and very complex generation with maximum rendering fidelity and visual storytelling**: --- **Prompt**: *A hyper-realistic encaustic painting rendered with thick, molten layers of beeswax and pigment, capturing a monumental scene in the heightened, emotionally-charged style of early 20th-century German Expressionism. The centerpiece of the composition is a black and white cat — large, regal, and unnaturally commanding — standing erect atop a high, wrought-iron balcony that juts out from the crumbling facade of a brutalist tower made of scorched concrete and rusted rebar. The cat, part monarch and part warlord, has its front paws gripping the rust-black railing like a dictator mid-speech. Its fur is sharply defined, with an almost photographic level of realism — the white portions glimmering under the harsh sodium light and the black absorbing all color like void incarnate. One of its eyes is pure jet, the other a glacial blue, both locked in a gaze of pure dominance over the world below.* *Below this platform, stretching to the smoky horizon, is a vast crowd of roach people — anthropomorphic cockroaches with humanoid posture and insectoid features: twitching antennae, mandibles clicking in rhythm, and segmented brown-black exoskeletons catching the light. Every single one is clad in the same oppressive urban warfare uniform: a digital blue city camo pattern that clashes with their earthy tones. The uniforms are slightly oversized, stiff, and angular, like militarized industrial jumpsuits, complete with identical helmets bearing a single red insignia shaped like a cat’s pawprint inverted. Despite their individuality as organisms, the sea of roaches blends into a dehumanized mass, each standing at rapt attention, saluting or holding up glowing signs of obedience. Their posture is reverent. Fanatical.* *The palette of the painting is disturbing and electric: waxy reds, bruised purples, ashen whites, and electric blues pulse from the textured surface, with the encaustic medium applied so heavily that ridges and peaks form around highlights, creating a chaotic topography of molten pigment. The background sky is an inferno of warped light — clouds melting into a gray-orange storm front like a silent apocalypse. The lighting is harsh, like early morning smog-drenched sunlight piercing through toxic clouds, casting angular, almost painful shadows across the figures. Some cockroaches are lit with sharp backlighting, others fade into murky blues and rust-colored darkness, as if being swallowed by the crowd’s own hive mind.* *Compositionally, the painting is framed from a low angle, giving the cat an exaggerated height and divine stature. The perspective warps outward in a fisheye manner common in expressionist cinematography, suggesting psychological instability. There are deliberate visual distortions: certain cockroach heads appear too large, their eyes too human, their reverence tinged with fear and confusion. Propaganda posters showing earlier images of the dictator cat are half-torn on nearby walls, suggesting a cult of personality. Overhead, stringy flags made of stitched insect wings flutter from building to building, and ghostly afterimages of past roach leaders are melted into the background wax, their forms barely visible, overtaken by the cat’s reign.* *The medium is unmistakably encaustic: you can almost smell the beeswax and burnt resin. The brushstrokes and hot wax pours are visible, layered, bubbled, sometimes cracked — like scorched political frescoes. Tiny scratches in the wax reveal earlier, buried imagery, like failed revolutions or overwritten truths. The entire piece evokes dread, awe, and sublime authoritarian beauty — a black and white cat risen not just as ruler, but as myth.* --- If you want me to break this into **multiple prompts for different parts of the scene**, such as background, cat, roaches, or details like propaganda posters or textures, just say the word.